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Interview with Adams five years into his tenure: My job is to "change this institution from the sort of tight little island in Washington which was mainly thinking about its own internal housekeeping" to one concerned with "the grand issues of our time." "A Feisty Chief Shakes Up the Smithsonian," by William H.
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"Keep Moralizing out of Museums," by Ben Nicks, Air & Space, December 1990/January 1991, 8. The article that triggers Nicks (contains many illustrations of the "treasures"). "Treasures of the Air and Space Museum," by Tom Huntington, Air & Space, October/November 1990. The Enola Gay deserves to be displayed as a simple artifact of history and as a memorial and tribute to the men who flew it." "The Legacy of Strategic Bombing," by David Savold, Air & Space, October/November 1989, 26-28. The Nicks' letter represents the trouble looming: examining strategic bombing "is simply a transparent excuse to moralize about nuclear warfare. "The practice of strategic bombing has raised many questions," Harwit said.
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The NASM begins a sixteen-month series of talk, panels, exhibits on "Strategic Bombing in World War II," which, according to Harwit, was to make necessary contacts for an Enola Gay exhibit. "At Air and Space, Ideas on the Wing," by Elizabeth Kastor, Washington Post, 10/11/88, D1. "The Enola Gay," by Martin Harwit, Air & Space, August/September 1988, 4. Highlights the Enola Gay Restoration Association headed by Donald Rehl and Frank Stewart, members of Tibbets' group quotes from Tibbets point to opposition to displaying the Enola Gay. "Smithsonian Horizons," by Robert McCormick Adams, Smithsonian, July 1988, 12 "Saga of the Enola Gay," American Legion Magazine, August 1988, 18-20, 48. Weart, Nuclear Fear: A History of Images, Cambridge: Harvard UP, 1988) Reading excerpts from Herman Kahn's On Thermonuclear War and Thinking the Unthinkable would be appropriate here.
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"Awaiting the Crack of Doom," by Alfred Kazin, New York Times Book Review, May 1, 1988: 1, 40-41. The article below by Kazin is quoted by Adams and gives a sense of contemporary unease about the dropping of the bomb, climaxing with reference to Herman Kahn of "Doomsday Machine" notoriety.
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Adams: "we are in the business of confronting and learning from history, not suppressing it." Harwit: "It seems to me germane for a national museum that deals with space flight to bring out the kind of information an intelligent voter should have in order to decide how to vote on issues." Adams and Harwit, alert to veteran interest evidenced by the Enola Gay Restoration Association, begin planning to exhibit the refurbished Enola Gay and, in doing so, they articulate their philosophy of the Smithsonian's role in presenting history. The book offers the final word on the debate over Truman's decision to drop the bomb."FullText" links provide a connection to electronic or print copies provided by the Lehigh Libraries and other services, such as electronic abstracts and interlibrary loan requesting.
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Enola Gay and the Court of History is compulsory reading for all those interested in the history of the Pacific war, the morality of war, and the failed NASM exhibition. His full-scale investigation of the historical dispute results in a compelling story of how and why our views about the bombing of Japan have evolved since its occurrence. Newman explores the tremendous challenges that NASM faced when trying to construct a narrative that would satisfy American veterans and the Japanese, as well as accurately reflect the current historical research on both the period and the bomb. Newman's argument centers on the controversy that erupted around the National Air and Space Museum's (NASM) exhibit of Enola Gay in 1995. Newman offers a fresh perspective on the dispute over President Truman's decision to drop the atomic bomb on Japan in World War II.
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In this hard-hitting, thoroughly researched, and crisply argued book, award-winning historian Robert P.